Monday, September 29, 2008
Wednesday, September 5, 2007
The flyer also features a third Gary, Gary Panter, and his iconic drawing of Tomata du Plenty.
Sunday, August 26, 2007
Tuesday, August 21, 2007
Jeff McGregor is also off the radar even though his acclaimed solo project The Solipsistics has a minor, though obscure, web presence. I'm trying to make contact through his former Snot Puppies bandmate Kevin Hunter (now with Wire Train and Bella Nova).
On the positive side, I've made contact with a friend of a friend of David Braun, which looks hopeful.
Monday, August 13, 2007
I just wanted to tell M. Leonard that, as the founder of the first LA punk label Siamese Records and the Editor of the I Wanna Be Your Dog fanzine, I befriended Tommy and Tomata of The Screamers. Our paths did cross many times. The LA music scene was quite small in the early 70’s. Specifically in the punk world.
I have some candid shots of both of them and some on stage as I was one of their biggest fans.
I understood as soon as I met them that they had plenty of talent.
I do hope this project will bring them to the light. They do deserve recognition and fame.
Siamese Dogs Records
Home of The Godfathers of Punk and out of control Rock & Roll!
Wednesday, August 8, 2007
Regarding the gift exchange, the agreement is that the records be kept on display until August 25th then given to the band members before I return to Halifax at month's end.
Monday, August 6, 2007
However, according to KK, the band eventually made it to Toronto for a gig in 1978. (Anybody out there remember seeing this?) KK remembers "playing at a club in the basement of the George Nelson Hotel" and "going to the FILE magazine offices and also spilling [his] college French to a drunken fan outside." I double-checked this with AA Bronson (KK->AA!) who wrote that the Toronto venue was the King Eddy (King Edward Hotel) not the George Nelson. (AA Bronson published FILE magazine with Jorge Zontal and Felix Partz under their collective name General Idea.)
KK recalls that tapes of that show circulated, which he's never heard. Rarities for sure! AA Bronson says he isn't aware of these tapes, but pointed me in the direction of FILE's punk issue, which may have information on the Screamers' stint in Toronto.
KK Barrett is now a successful production designer and art director. He has worked on I Heart Huckabees (2004), Lost in Translation (2003), Adaptation (2002), Human Nature (2001), Being John Malkovich (1999), Crack House (1989) and Cheerleader Camp (1987).
Sunday, August 5, 2007
Monday, July 30, 2007
Tommy and Tomata were the conceptual forces behind the Screamers (see July 9, 2007) . Besides the unquestionable intensity of the band's music, live shows were exhausting theatrical affairs that were constantly changing in order to keep the performances unpredictable. The band had always been concerned with progress and towards the end emphasized its performance over its musical content. In this direction, the involvement of filmmaker Rene Daalder sealed the band's demise.
Daalder provided the resources to construct a film studio that would indulge the Screamers' interest in its theatrical evolution. Daalder's "unwatchable" film Population One featured Tomata as the last living human after a nuclear blast. The film was constructed around flashbacks and music videos. Somewhere during the filming, creative differences rose to the surface and the core band members felt the need to part ways.
As Geza X states, "When Rene became involved, the artistic vision of the band got derailed...Rene had them playing to loops, run off a tape recorder--an extremely interesting idea, granted, kind of an early industrial techno twist to that--but it really wasn't the Screamers anymore. The Screamers' magic when they rocked out with those Tinkertoy synths slowly turned into this low-budget multimedia nonextravaganza which wasn't really that good, and the band started withering behind it" (We Got the Neutron Bomb, p. 215).
Paul has never stopped making music. Since the Screamers, on top of his solo work, he's played with Dc3, Nina Hagen, 45 Grave, Twisted Roots, Nervous Gender, Prick, Abby Travis, Leah Andreone, Geza X and the Mommymen, Mark Curry, The Joykiller, The Controllers, The Mourning Glorys, Crimony, Mike Watt and the Secondmen, Pat Smear, Saboteur, and Josie Cotton.
Friday, July 27, 2007
Thursday, July 19, 2007
Friday, July 13, 2007
Wednesday, July 11, 2007
To create the mold I poured the liquid rubber compound over a dub plate I had manufactured from the original demos (see June 25, 2007).
Monday, July 9, 2007
I made contact today with Paul Roessler through his website (www.myspace.com/paulroessler) and KK Barrett through the website of his wife. Tommy Gear still remains elusive. A memorial website for Tomata du Plenty can be found at www.myspace.com/tomataduplenty.
Thanks to Cake Nunez and Not For Hire magazine writer/publisher Kim Buresh (via Bill Lopez) for the leads.
Which Screamers demo tape did you find there? The 1977/1978 demos, by any chance? I know that it's out on both LP and CD (bootleg) already. I know KK Barrett and Paul Roessler and met Tomata before he passed (hung out with him at Mr. T's Bowl when Nudist Priest played some years back).
The demos I found in Toronto may be the same as those already floating around: Peer Pressure, Punish or Be Damned and Eva Braun.
Peer Pressure and Punish or Be Damned may very well be from the First Screamers demo session (7-7-77 on a TEAC 2340 4-Track) produced by Pat Garrett (which appeared on the Scuzzy the Death Cone Clown vinyl AND the Trying To Be Like Jesus bootleg CD), but I can't say for sure since I haven't heard either to compare. They're definitely not live recordings, which in the case of Punish or Be Damned rules out the Target Video soundtrack.
I'm pretty sure they're not the 1978 demos produced by Geza X because there's no presence of an "audible whine" , which these demos reportedly have.
The third song is Eva Braun and this may be the Geza X version that shows up on Trying To Be Like Jesus bootleg OR it may be the soundtrack extracted from the (unknown?) video for the song. The version I found doesn't have the "whine" present in the Geza X recordings, so I'm guessing it's from another source. I haven't heard the video soundtrack, so on that I can't say.
It would be great to compare the demos found in Toronto -- let's call them the Crash & Burn Demos after the punk venue where they were submitted in '78-- to those produced by Garret ('77) and Geza X ('78). Do you have a copy of either of these recordings or know someone who might?
I went through my collection of Screamers stuff and couldn't locate those three tracks, so you most certainly have some rarities on you there! I would love to hear those tracks someday!
Tuesday, July 3, 2007
I used two packs of 2" stencils, poster board, and masking tape to lay out the lettering for the album cover.